The story
The name comes from Kฤyastha โ the scribal community of north India. Their hand became a script; the script carried the daily life of the Gangetic plain.
Born of Brahmi
Kaithi descends from ancient Brahmi through the Gupta and proto-Devanagari hands โ the same ancestry as Devanagari. The two grew up side by side, sisters from one source; Kaithi is not a corruption of Devanagari but its own parallel line.
A hand made for speed
The Kayastha scribes wrote for a living โ and Kaithi shows it. No head-line, fewer strokes, letters that flow without lifting the pen. Grierson wrote that it could be set down with far more rapidity and ease than its rivals.
One script, three voices
Three regional styles grew up across the plain: Tirhuti in Mithila โ the most elegant; Bhojpuri in the west โ the most legible; Magahi around Magadh โ a mean between the two. Each district's scribes gave the letters their own swash.
The script of the everyday
Bhojpuri, Magahi, Maithili and Awadhi were all written in Kaithi โ village ledgers, family letters, folk epics and songs, the accounts of the mahajan and the notes of the village school.